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fsgbooks:

“The solution came in a most unexpected way, on a flight between Buenos Aires and Madrid which, by chance, was commemorating the first flight between those cities (by an Iberian Airline Douglas DC4) on 22 September 1946. I bought at Ezeiza airport a copy of a short novel by Alejo Carpentier that I had not read: The Kingdom of This World. Nothing had prepared me for the surprise. From the first lines of the story, which recreates the hallucinating life of Henri Christophe and the building of the famous Citadel in Haiti, this superbly written and even better constructed narration in which, as in all literary masterpieces, nothing could be added or taken away, absorbed me body and soul and took away my surroundings, transporting me, for the ten hours or so of the flight, away from the frozen starry night into a prodigious epic account of Haiti in the previous century, where the most ferocious violence intermingled with the most fevered imagination, and everyday and trivial events blurred into miracles and legends. I read the final lines when the plane touched down in Barajas; the book had lasted the flight, and had taken away my fear for the entire journey.”
-Mario Vargas Llosa, “How I Lost My Fear of Flying”

fsgbooks:

“The solution came in a most unexpected way, on a flight between Buenos Aires and Madrid which, by chance, was commemorating the first flight between those cities (by an Iberian Airline Douglas DC4) on 22 September 1946. I bought at Ezeiza airport a copy of a short novel by Alejo Carpentier that I had not read: The Kingdom of This World. Nothing had prepared me for the surprise. From the first lines of the story, which recreates the hallucinating life of Henri Christophe and the building of the famous Citadel in Haiti, this superbly written and even better constructed narration in which, as in all literary masterpieces, nothing could be added or taken away, absorbed me body and soul and took away my surroundings, transporting me, for the ten hours or so of the flight, away from the frozen starry night into a prodigious epic account of Haiti in the previous century, where the most ferocious violence intermingled with the most fevered imagination, and everyday and trivial events blurred into miracles and legends. I read the final lines when the plane touched down in Barajas; the book had lasted the flight, and had taken away my fear for the entire journey.”

-Mario Vargas Llosa, “How I Lost My Fear of Flying

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