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“‘Samuel Beckett au cigare,’ 1970; drawing by Avigdor Arikha, who died in 2010. An exhibition of more than fifty of Arikha’s paintings, pastels, and drawings—many of which have never been shown before—will be on view at the Marlborough Gallery, New York City, March 20–April 21, 2012.”
— From John Banville’s review of The Letters of Samuel Beckett, Volume II: 1941–1956 in The New York Review of Books.

“‘Samuel Beckett au cigare,’ 1970; drawing by Avigdor Arikha, who died in 2010. An exhibition of more than fifty of Arikha’s paintings, pastels, and drawings—many of which have never been shown before—will be on view at the Marlborough Gallery, New York City, March 20–April 21, 2012.”

From John Banville’s review of The Letters of Samuel Beckett, Volume II: 1941–1956 in The New York Review of Books.

noxrpm:

Sappho’s Fragment 137, from If Not, Winter - Fragments of Sappho (tr. Anne Carson) -

I want to say something but shame
prevents me



yet if you had a desire for good or beautiful things
and your tongue were not concocting some evil to say,
shame would not hold down your eyes
but…

Nox RPM doesn’t post often, but when he does, I always take notice. He has a masterly way of making connections among his days, ways, and the works of art he’s always engaging.

catherinewillis:

from my Paris studio
FULL FATHOM FIVE
graphite and china ink on paper.2010

It really disappoints me that my five attempts to use my telepathic powers to whisk myself off to Catherine Willis’ studio in Paris for a couple hours failed (as these attempts so often do).
I am really enjoying what I am probably silly to call her Tempest series, and wish that I could see these works in person.

catherinewillis:

from my Paris studio

FULL FATHOM FIVE

graphite and china ink on paper.2010

It really disappoints me that my five attempts to use my telepathic powers to whisk myself off to Catherine Willis’ studio in Paris for a couple hours failed (as these attempts so often do).

I am really enjoying what I am probably silly to call her Tempest series, and wish that I could see these works in person.